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The Devil's Candy, actually a typical horror movie that I really, Sean Byrne not only incorporate elements of metal music into it, but also the theme of satanik, well both elements emang I sukain. If Deathgasm (2015) wants to try to joke about the stereotypes of metal music that is always associated with violence and cursed demons, as well as Tenacious D in The Pick of Destiny (2006), then The Devil's Candy is a more serious version. Abandoning the realm of slasher-busted movies, Sean Byrne this time wraps a simple, cliched premise in The Devil's Candy with a psychological thriller with supernatural horror. The result, of course, will be different from what he once performed on The Loved Ones (2009), but still leaves one important parallel, Sean Byrne can always make me care about the main character, something that most horror filmmakers sometimes miss. Despite the lack of The Devil's Candy which later made me feel baseball satisfied, but the way Sean Byrne treats these characters is precisely to hold me not to fall asleep.
I do not know how many thousands of films that took me to see a family move into a new house, only to find that the past of the house slowly grabbed their happiness. The same case happened with Jesse Hellman (Ethan Embry) and his family, the dream house that should be a source of joy, instead giving them nightmares. The Devil's Candy had plenty of time to introduce and bring me closer to Jesse, Astrid (Kiara Glasco) his wife, and Zooey (Pruitt Taylor) his daughter. This metal family easily made me love them from the start, not only because of the "seiman" about the taste of music, Sean Byrne also presents a unique and exciting father-son relationship. Opened with Metallica's "Am I Evil?" Which made me jump and headbanging, metal music in The Devil's Candy did not function as a sweetener or a pompous and sok metal soundtrack if Purgatory said, the presence of rock music from Slayer to Sunn O) )) Who are very satanic will later contribute to an important contribution in the plot being built by Sean Byrne.
Who could have thought of a song titled "Belurol Pusztit" belonging to Sunn O))) could turn someone into a devil's slave, The Devil's Candy made use of Stephen O'Malley's band to give a darker color and exhale a deeply satanic atmosphere into the film. Sean Byrne chose the right band to bring the atmosphere of wearing, scary, as well as gripping simultaneously. The body instantly seemed to be pulled into the darkness as Sunn O))) started out a strange sound and lucifer-like sounds singing in the bathroom. The Devil's Candy is very serious with the goal of presenting a satanic experience to every stool of the audience, not only playing the noisy music that torments the soul, but also supported by other elements such as Jesse's painting, not made for the bank, but paintings created after him possessed . The painting originally created by Stephen Kasner is really blend with the concept of The Devil's Candy, a horror that can haunt without apparition, only with musical and horrific images.

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