HAMIL NGGAK KUAT NAFSU DEPAN ANAK
2016
is indeed a year that spoiled the horror fans, but simultaneously also
sad when glancing at a local horror movie that seemed buried until no
longer screams. Quantity is not dead, its quality is sakaratul death, make me waving and reluctant to waste money 30 thousand more. Simply look at the poster alone, the passion to be feared for an instant lost nausea. It took courage to watch the horror movies with the back and forth, for health reasons I chose to retreat. Different
when still ignorant era, I can swallow all the horror movies that are
running, from the normal to the film intended for non-humans. I
am certainly glad to see the horror movies imported kece, but much
happier if the nation's own products can improve the quality of horror. Hope
it's lucky not yet extinguished, still there Danur Awi Suryadi and
reportedly Monty Tiwa will also work on the adaptation of Invisible
Family eyes, looks promising. While waiting for both, Rumah Angels first greet, one of the local horror films that potentially restore my smile.
Angels house itself is the name of an orphanage headed by Mother Mary (Roweina Umbon), which houses children under 15 years old. From the outside everything looks normal, nothing strange except Bi Arum (Dayu Wiyanto) who looks fierce and mysterious. But all changed since the arrival of Alex (Mentari De Marelle), the dark secrets in the orphanage began to unfold one by one including the news of invisible inhabitants. Alex, who did not believe in dedemit, initially considered the "disturbance" that arose was the result of the fad of the orphanage children, because they did not like the presence of Alex who replaced the old teacher. Incident after another odd incident took turns, plus there are visions of masked children who increasingly often "teased" Alex. Gradually the belief that the ghost was not there wobbly, and Alex believes there is something wrong happened at the House of Angels. Speaking of production arrangements and artistic parts, this movie proves once again, Billy Christian does know how to display his horror to watch. Not only beautiful, Angel House also has concepts and ideas that can be called interesting.
Let's set aside the story, I want to discuss the emergence of ghosts. The strongest attraction of the Angel House is its ghosts that are not of design origin and are not haphazardly sticking out. Billy translated well the pictures of Ezra and his friends into a simple as well as spooky form when displayed on the screen. Similarly at the time comes the ghost-ghosts show themselves, "taik!" That's my response. I like Billy's way of designing sightings, for example: tiny legs under the table (those who are watching must know the scene). The impression is simple but effective in creating surprises and continues to arouse curiosity. I enjoyed the moments of these demonic children, including when Alex was "distracted" with only a white cloth, a trick that could be said to be not cheap. What a wise thing if Billy can reduce a little jump scares, especially in the first half. After all, I think the quality of Billy's appearance is good, no need to force every time to make people shocked, ultimately even overdose.
Angels house itself is the name of an orphanage headed by Mother Mary (Roweina Umbon), which houses children under 15 years old. From the outside everything looks normal, nothing strange except Bi Arum (Dayu Wiyanto) who looks fierce and mysterious. But all changed since the arrival of Alex (Mentari De Marelle), the dark secrets in the orphanage began to unfold one by one including the news of invisible inhabitants. Alex, who did not believe in dedemit, initially considered the "disturbance" that arose was the result of the fad of the orphanage children, because they did not like the presence of Alex who replaced the old teacher. Incident after another odd incident took turns, plus there are visions of masked children who increasingly often "teased" Alex. Gradually the belief that the ghost was not there wobbly, and Alex believes there is something wrong happened at the House of Angels. Speaking of production arrangements and artistic parts, this movie proves once again, Billy Christian does know how to display his horror to watch. Not only beautiful, Angel House also has concepts and ideas that can be called interesting.
Let's set aside the story, I want to discuss the emergence of ghosts. The strongest attraction of the Angel House is its ghosts that are not of design origin and are not haphazardly sticking out. Billy translated well the pictures of Ezra and his friends into a simple as well as spooky form when displayed on the screen. Similarly at the time comes the ghost-ghosts show themselves, "taik!" That's my response. I like Billy's way of designing sightings, for example: tiny legs under the table (those who are watching must know the scene). The impression is simple but effective in creating surprises and continues to arouse curiosity. I enjoyed the moments of these demonic children, including when Alex was "distracted" with only a white cloth, a trick that could be said to be not cheap. What a wise thing if Billy can reduce a little jump scares, especially in the first half. After all, I think the quality of Billy's appearance is good, no need to force every time to make people shocked, ultimately even overdose.
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